Where do you begin when seeking out the inspiration that will kickstart a new project?

Jay:  Inspiration comes from many places. For me, it comes in the form of travel and history and books. We don't really start with one specific image usually, it tends to be a grouping of images of a look and a feel. We'll do several different iterations for a client as we get to know them. And all that begins to inform the language for the rest of the house.

Is there a number one design rule you would say everyone should at least consider following?

Jay:  I think so many design rules are easily broken if you do it in the right way. However, one of the key elements that you have to get right is the scale in a room. If furniture is a little bit too small, or a little bit too big, it doesn't matter how much money you spend, it's not going to be a successfully designed room. And you can play with scale too. I love putting really large paintings on small walls, or painting a small room a really dark colour. That’s when the rules can be broken. Overall, scale is something you have to pay attention to, and you have to get it right.

Please share your thinking around the deep saturated colours you love.

Jay: Colour has always played a big role for us. In the early days, budgets weren't as large as they might be these days and colour is instant pow, instant wow, instant personality. And Benjamin Moore has been a part of that. If I look at what my go-to colour is, I've always gone for the Historical Collection, with that deep saturation, the beautiful gray blues, the olive greens and the terra cottas. They work in warm environments, they work in cool environments, and they are perfection for me.

Gray Owl OC-52 is my go-to white. It's a gray, but it is my go-to white because I feel it plays off deep saturated colours well. Gray Owl is my version of white—that crispness is just beautiful.

"COLOUR IS INSTANT PERSONALITY."

 - Jay Jeffers
Founder, JayJeffers Inc.

How do you look at the attributes of paint in the design process?

Jay: Paint always plays a huge role throughout the process. We did an historic Victorian home in St. Helena for example, that was very traditional, yet the clients were not that traditional. And there was large moulding, and wainscotting throughout. We painted all of it black and it transformed the house, instantly making it updated, modern and different.

We look at paint in that way. What can we do that's different? Does paint play the backdrop to an art collection where the colour is fairly neutral and simple? Or is it the star of the show? So, yes, paint plays a role from beginning to end, and it may be during my inspiration phase, it may be at the end, it may be that I know this room should be dark, I may not know what colour it's going to be yet, but it's referenced throughout the entire process.

What are your design choices in your own residence?

Jay: My San Francisco home is my cocoon. A lot of the wall surface is ebonized oak panelling, and then Benjamin Moore's Deep Secret^®. A couple of walls are a mural wallpaper—very colourful and bright. Overall, I wanted this home to feel dark and sexy; it's full of our favourite vintage pieces, and art, and things we found in our travels, and our two dogs. I wanted this to be my respite when I came home from work, from a busy day, where I can curl up, have a glass of wine, and probably order pizza.